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Classical concerts featuring
Guy Cutting

Overview

Quick overview of musician Guy Cutting by associated keywords

CitiesFrequently performs in

Amsterdam
The Netherlands
Amsterdam
2
Utrecht
The Netherlands
Utrecht
2
The Netherlands
Den Haag
1
Köln
Germany
Köln
1
Naarden
The Netherlands
Naarden
1

ProgramFrequently performs

Johann Sebastian Bach
Works by
Johann Sebastian Bach
7
Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
4

MusiciansFrequently collaborate with

Musician
Richard Egarr
12
Musician
Matthew Brook
6
Musician
Reginald Mobley
6
Musician
Rowan Pierce
6
Musician
Alex Potter
1

New Arrivals

These concerts featuring Guy Cutting became visible lately at ConcertPulse.

Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)

Upcoming Concerts

Concerts featuring Guy Cutting in season 2024/25 or later

February 22, 2025
Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)
February 23, 2025
Artistic depiction of the event

Bach at his finest

Sun, Feb 23, 2025, 14:00
Theater De Lievekamp, Grote Zaal (Oss)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 25, 2025
Artistic depiction of the event

Bach at his finest

Tue, Feb 25, 2025, 20:15
TivoliVredenburg, Grote Zaal (Utrecht)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 26, 2025
Artistic depiction of the event

Bach at his finest

Wed, Feb 26, 2025, 20:15
Muziekgebouw aan 't IJ, Grote Zaal (Amsterdam)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 27, 2025
Artistic depiction of the event

Bach at his finest

Thu, Feb 27, 2025, 20:15
Grote Kerk Naarden (Naarden)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 28, 2025
Artistic depiction of the event

Bach at his finest

Fri, Feb 28, 2025, 20:15
Amare, Amare Concertzaal (Den Haag)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
April 13, 2025
Artistic depiction of the event

J.S. Bach: Johannes-Passion

Sun, Apr 13, 2025, 20:00
Kölner Philharmonie (Köln)
Dorothee Mields (Soprano), Alex Potter (Counter tenor), Guy Cutting (Tenor), Johannes Kammler (Bass-Bariton), Reinoud Van Mechelen (Tenor), Krešimir Stražanac (Bass), Chor und Orchester des Collegium Vocale Gent (Ensemble), Philippe Herreweghe (Conductor)
Bachs Johannes-Passion ist ein einzigartiges Werk von erschütternder Expressivität. Wenn der große Bach-Interpret Philippe Herreweghe mit seinem Chor und Orchester des Collegium Vocale Gent und mit exzellenten Gesangssolistinnen und -solisten zur Tat schreitet, wird Bachs Musik in ihrer Substanz erlebbar.»In dieser Musik kommen Dinge zur Sprache, die bis dahin mit Tönen zu sagen niemand gewagt, niemand vermocht oder auch nur versucht hatte«, schrieb der Komponist Hans Werner Henze über Bachs Johannes-Passion. Als Pionier der historischen Aufführungspraxis hat Philippe Herreweghe einen besonderen Blick auf Bachs Musik, mit der er sich seit mehr als vierzig Jahren auseinandersetzt. Ihm zur Seite steht sein herausragendes Collegium Vocale Gent. Dorothee Mields, Reinoud Van Mechelen und weitere eindrucksvolle Stimmen bilden die illustre Solistenriege.
Info & Ticket (www.koelner-philharmonie.de)